Blue Note Tokyo is small. Two hundred-odd seats, a kitchen that makes you forget the food is incidental, candle light, a stage half a metre off the floor. The 8pm set is the warm-up, the 10pm is the room. Players know it. You sit close enough to a saxophonist's reed to hear it dry between phrases. The Aoyama branch has been running this format since 1988, the longest sustained jazz residency in the city. Pat Metheny does two-week runs. So does Wayne Shorter, before he passed. The Blue Note Tokyo standard has shaped Asian jazz programming.
Book the second set on weeknights. Quieter room, looser playing, often a longer encore.
Jazz-canon counterweight to the listening-bar pick. Different ritual, same reverence for sound.
Weeknight 21:00 second sets, smaller crowds, looser playing. The Friday and Saturday early sets sell out months in advance; the weeknight late set is the open secret. International touring residencies run 4-6 nights typically.
Open Monday through Saturday. Two sets per night: 18:30 and 21:00 (sometimes 21:30). Box office online or via the venue. Dress code is smart-casual.
Tokyo Metro Hanzomon or Ginza Line to Aoyama-itchome, five-minute walk south to Minami Aoyama 6-3-16. From Shibuya, ten minutes on foot through the back streets.