Brutalism and techno share an architectural philosophy. Truth to materials. No ornament. The structure is the music.
Brutalist architecture was a mid-century declaration that buildings should declare their construction. Concrete was concrete. Rebar was rebar. No false fronts. Techno is the same instinct in sound: kick drum, hi-hat, no melody, no false fronts. The structure is the music. This week-long route reads seven brutalist rooms across Europe and the UK that have been claimed by techno: Berghain (Friedrichshain power plant), Tresor (Mitte concrete vault, omitted in the atlas v1 but a candidate for v2), Loftas (Vilnius factory), KOKO (London 1900s theatre with a brutalist back-of-house), Concertgebouw cellar venues (Amsterdam), Lux Frágil (Lisbon ex-warehouse), and the Aotea Centre carpark series in Auckland for the Pacific finish.
Cathedral of techno in a former East-Berlin power plant. Eighteen-metre brutalist ceilings, a purist sound system, and the strictest door policy in the world.
Iconic Lisbon club on the Tagus with sunrise views from the terrace. An architectural hymn to rhythm, light and emotion. Where Portugal's creative soul converges.
Restored 1900s theatre with modern production. Eclectic bookings, cinematic interiors. Red velvet meets LED. Nostalgia meets next-wave.
A Baltic warehouse beating with rebellion. Art, bass, sweat under one roof. Housed in a repurposed factory in Vilnius' Naujamiestis district.
1990 postmodern complex on Aotea Square. The 2,139-seat Kiri Te Kanawa Theatre, renamed 2021 in honour of the Māori soprano, is the country's largest proscenium hall. Auckland Philharmonia Orchestra home.
Stitch your own week of beautiful music.